All in Premiere Projects
Darkly funny and also absurd, The Square is a scathing satire that invites viewers to challenge their ideas of society in an increasingly uncertain world. As the latest film from acclaimed Swedish Director and Editor Ruben Östlund... The Square is also one of the most praised international films of 2017... For the editing team, one of the greatest advantages of Adobe Premiere Pro CC is its flexibility. —Adobe
Augustine Frizzell and Courtney Ware describe the fast post-production process for Never Goin' Back, edited with Adobe Premiere Pro, which debuts in the Midnight category at the 2018 Sundance Film Festival. —Adobe
In this video I walk you through my process for editing an entire wedding film, step by step, and share my thought process behind each of the decisions I made in the editing process. —The Herrintons
Director and Editor Bing Lui and Editor Joshua Altman share how they collaborated to edit Minding the Gap using Adobe Premiere Pro. The film debuts in the U.S. Documentary Competition category at the 2018 Sundance Film Festival. —Adobe
Editor Patrick Lawrence shares how he helped Filmmaker Bridey Elliott deliver a director's cut of Clara's Ghost six weeks after filming began using Adobe Premiere Pro. Clara's Ghost debuts in the NEXT category of the 2018 Sundance Film Festival. —Adobe
Editors Will Merrick and Nick Johnson share the complicated pre-post, post production, and post-post production with Adobe Premiere Pro, Photoshop, and Illustrator that went into making Search, which won an award in the NEXT category at the 2018 Sundance Film Festival. —Adobe
Join Titanic Sinclair as he discusses expanding the world of Poppy, into a new series "I'm Poppy", edited in Adobe Premiere Pro for YouTube Red. "I'm Poppy" featured in the new Indie Episodic category of the 2018 Sundance Film Festival. —Adobe
Mel Jones talks about how her own life experience helped inspire Leimert Park, which was edited with Adobe Premiere Pro and debuts in the new Indie Episodic category at the 2018 Sundance Film Festival. —Adobe
For Editor Sofía Subercaseaux, 2017 was a busy year. The native Chilean, who now resides in Brooklyn, edited two films — TYREL and Piercing — which will both debut at the 2018 Sundance Film Festival... A self-taught Adobe Premiere Pro user, Sofía was in the midst of editing Piercing, a film by Director Nick Pesche, when she was approached with the opportunity to cut TYREL. —Adobe
Hear self-taught filmmakers Susane Lee and Andrew Olsen, discuss creating the offbeat dark comedy susaneLand, which was edited with Adobe Premiere Pro and debuts in the new Indie Episodic category at the 2018 Sundance Film Festival. —Adobe
Clara’s Ghost is not the kind of ghost story you’re likely to hear around a campfire. Written and directed by Bridey Elliott, the 2018 Sundance Film Festival feature is a caricature of Bridey’s own family. It was precisely this combination of comedy and thriller that attracted Editor Patrick Lawrence to the film... Premiere Pro has been his editing tool of choice for years. —Adobe
Ginsburg’s prolific life and career is the focus of a documentary aptly named RBG, which will make its debut at the 2018 Sundance Film Festival. Co-produced by CNN Films and Storyville Films, the documentary is the brainchild of co-producers and co-directors Betsy West and Julie Cohen, both of whom were in awe of Ginsburg’s track record of fervently opposing discrimination of any kind... It was cut entirely on Adobe Premiere Pro — a first for the directors. —Adobe
