Discover what's new in Premiere Pro CC through the work of video maker Valentina Vee. —Adobe
All in Premiere Profiles
Cinema5D: Adobe Premiere CC Update, An Interview With Adobe's Bill Roberts
Recently we had a chance to talk to Bill Roberts, Adobe's senior director of professional video product management. He shared some of the new features of this new Premiere CC release, as well as some interesting insights about the inner workings of Adobe's software development. —Cinema5D
Adobe: From Gamer to Creator and Tips for Epic Trailers with Derek Lieu
Video Game Trailer Editor, Derek Lieu, took an editing hobby and a love of playing video games, and merged them to bring us trailers behind games like Firewatch and Mortal Combat X. In this episode, he shows Jason his first creation EVER -- a 17-year old trailer that wouldn’t even preview in Mac OS -- and hilariously gives us a few pointers about how to make EPIC trailers. First tip? Music does most of the work. —Adobe Creative Cloud
IT in Canada: Adobe Premeire Pro Makes the Cut for Film Editors
For three film editors that took part that took part in one of TIFF’s Industry Conferences, the credit goes to Adobe’s Premiere Pro. Adobe has also added some new features to Premiere Pro – but we’ll get to that letter in the story. —IT in Canada
Adobe: Philip Grossman Explores Chernobyl’s Deadly Secrets
...engineer and filmmaker Philip Grossman takes audiences deep into Chernobyl to explore how such a disaster could have occurred. Grossman’s investigation, which included footage shot by him and edited with Adobe Premiere Pro, aired on the Science Channel as the first episode of the second season of Mysteries of the Abandoned. —Adobe Creative Cloud
Adobe: Meeting Daily News Deadlines with Premiere Pro
The editing application of choice at nachtblau is Adobe Premiere Pro CC. The team transitioned from Final Cut Pro to Premiere Pro in 2014, right around the time Annika Kӧnig was learning to be an editor, which helped to level the playing field for her. She not only became an editor, her knowledge of Premiere Pro also gave her the opportunity to become a support editor to the chief editor, helping troubleshoot issues in the early days of the transition. —Adobe
Adobe: Zoe Davis Supporting Long-Form Content with Social Media
A lot has changed since Zoe Davis first got her start as a news editor at a local television network in Australia. That was 17 years ago, when most broadcasters were still cutting tape to tape. Today, she owns her own company, Calibrate Films, for her commercial work. She is also directing and editing her first feature documentary entitled FIERCE!, and working with legendary editor Walter Murch on his film Coup 53. No matter what project she’s working on, producing effective promotional content for social media channels is playing an increasingly important role. —Adobe
Adobe: Live Video Editing in Premiere Pro with Rachel Nguyen
Adobe Evangelist, Jason Levine, hosts fashion blogger and content maker, Rachel Nguyen of That's Chic, in this live stream replay. Get an up-close look at Rachel's video editing workflow in Premiere Pro.
Adobe: Editing Great Video Content for Any Screen with Valentina Vee
This week Jason sits down with Valentina Vee who shot and edited videos for the popular makeup show hosted by Michelle Phan. She tells us about her dark year living in a basement and how she landed some epic jobs working with Ben Von Wong. —Adobe
Adobe: Breaking Into New Dimensions with Jason Diamond of Supersphere
Jason Diamond discusses the start of Supersphere as well as the challenges and triumphs of working in VR. —Adobe
Broadcast: Green Rock Embraces Cloud Working with Premiere Pro
Boutique production agency and post-production house Green Rock has made a £250,000 investment to turn itself into one of the UK’s first fully Adobe Premiere Pro facilities. It has also changed its workstations from Macs to PCs and invested in a dedicated high-speed internet line and faster infrastructure. —Jake Bickerton, Broadcast
Adobe: Visual Effects Master Rob Legato Designs Oscar-winning Effects with Adobe Creative Cloud
Titanic. Hugo. The Jungle Book. What do these visually stunning movies have in common? They each won an Academy Award for Best Visual Effects with visual effects supervisor Rob Legato at the helm. —Adobe