No script, 12 hours, $300, and a whole lot of favors. Take a look at the Making of SENTiNEL. —Film Riot
All in Premiere Projects
Adam Epstein: SNL “Welcome to Hell” Edit Timelapse
From the 12/2/17 episode, for the SNL Film Unit. Watch the final piece at: youtube.com/watch?v=1l26UFQ06eQ. —Adam Epstein
Videomaker: “Only the Brave” Editor Billy Fox on Collaborative Editing in Premiere Pro
How would you respond to the request of editing your next film on a system you’d never used before? It would be pretty scary right? Billy Fox, editor of the new film “Only the Brave” did just that... “This was the first movie I’ve ever edited on Premiere” Fox said. —Videomaker
Adobe: Resurface, Capturing Stories of War, Waves and Recovery
The filmmakers behind Resurface, a documentary movie that explores the question "How can surfing change the lives of military veterans?" stop by the Make It studio to talk to Jason about the challenges they faced and insights they gained while making the 2017 Tribeca Film Festival Special Jury Prize winner. —Adobe
Adobe: SHOREBREAK, The Life and Work of Clark Little
Adobe sits down with photographer and surfing enthusiast, Clark Little, and editor, Darren Doane, to discuss the documentary feature film, SHOREBREAK: The Clark Little Story, directed by Peter King.
ProVideo Coalition: ART OF THE CUT with Billy Fox, ACE on “Only the Brave”
Cutting a feature film in Premiere Pro. Billy Fox, ACE, last spoke to Art of the Cut after he cut Straight Outta Compton. Fox’s other feature film work includes Hustle and Flow, Low Riders, Footloose and Black Snake Moan. His TV work is also notable, including the critically acclaimed and Emmy-nominated work on Band of Brothers and Emmy-winning editing on Law and Order. —Steve Hullfish, ProVideo Coalition
Adobe: Creating a Heroic Tribute to Firefighters in Only the Brave (Edited in Premiere Pro)
In 2013, an elite crew of firefighters known as the Granite Mountain Hotshots, were dispatched to one of the deadliest wildfires in recent U.S. history. Their heroic efforts to save Yarnell are the subject of a new feature film, Only the Brave, which premiered October 20, 2017. The movie was cut entirely using Adobe Premiere Pro CC, and the post-production team also used Adobe After Effects along with Industrial Light & Magic (ILM), the VFX and animation branch of Lucasfilm Ltd., for temp and final visual effects. —Adobe
Adobe: Netflix Series "Mindhunter" Brings Filmmaking Savvy to Episodic TV
David Fincher's new Netflix series, Mindhunter, is edited with an all-Adobe workflow, including Premiere Pro and After Effects, bringing VFX and editorial under one roof. —Adobe
Adobe: Filmmaking Team Delivers Panoramic, 6K Experience in 6 Below, Edited in Premiere Pro
On a frigid winter day in 2004, Eric LeMarque’s snowboarding adventure turned into a nightmare when he became lost in a remote region of the Sierra Nevada... 6 Below: Miracle on the Mountain, edited in 6K native using Adobe Premiere Pro, brings LeMarque’s true story to the big screen in vivid detail. —Adobe
Adobe: Conversation with The Florida Project Director Sean Baker
Watch the replay of Adobe's interview with Sean Baker, director of The Florida Project.
The Young Folks: Jacob Schulsinger Talks Editing, The Square
Jacob Schulsinger, who edited The Square, spoke with The Young Folks... "I used Adobe Premiere for the first time on Force Majeure, and now recently on The Square, and the program has improved a lot." —The Young Folks
Adobe: Searching for the Editorial Heartbeat Billy Fox, A.C.E, Editor, Only the Brave
Searching for the Editorial Heartbeat Billy Fox, A.C.E, Editor, Only the Brave. —Adobe Creative Cloud