Adobe: Streamlining Production to Create Films with Ease

Adobe: Streamlining Production to Create Films with Ease

This week on Make It we're talking workflows - on set and in the editing room! Our field correspondent, Hyla, joins Dane Brehm in Burbank, CA to find out exactly what a D.I.T. or Digital Imaging Technician does to help bring movies & TV shows to big and little screens near you. Jason Levine then shows us how to manage media using proxies to enable smoother and faster workflows on any system. —Adobe

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Adobe: Live Video Editing with Eric Addison in Premiere Pro (3 Videos)

Adobe: Live Video Editing with Eric Addison in Premiere Pro (3 Videos)
Join Filmmaker Eric Addison on https://www.behance.net/live as he teaches us how to achieve professional results faster, and take our storytelling further, with the most recent updates to Premiere Pro CC! This week he will focus on high efficiency workflows to improve production speed and video quality. —Adobe
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Adobe: Creating Blockbuster Movie Trailers and Title Sequences

Adobe: Creating Blockbuster Movie Trailers and Title Sequences
This week on Make It, we're taking the show on the road to sunny Hollywood, CA, where we'll take a peek at how the real pros craft movie trailers and title sequences that get you out of your chair and into the theater. Our first stop is the world famous Trailer Park, where we chat with CEO & Creative Director Matt Brubaker and Editor Adam Finkelstein. We then head over to Burbank to talk with Prodigal Pictures Director & Motion Designer Danny Yount. —Adobe
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Adobe: VR, AR and the Future of Immersive Storytelling

Adobe: VR, AR and the Future of Immersive Storytelling
Everyone wants to know about Virtual Reality…what is it, what it can do and where is it going? On this episode of Make It, Jason takes us into the future of storytelling and strategy with some of the mavericks of VR and AR: Grant Anderson, Matt Lewis from Practical Magic and Chris Bobotis of Adobe. —Adobe
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Adobe: The Art of the Edit – Insights From the Front Lines

Adobe: The Art of the Edit – Insights From the Front Lines
Join a lively discussion with master editors and post-production pros – including Lisa Zeno Churgin from Old Man and the Gun, Kyle Reiter of Atlanta, and Sofia Subercasseaux from TYREL — as they share insights on how to take the art and craft of editing to the next level. Learn as these accomplished editors discuss the relationship between editors and directors, the role editing plays in storytelling, and how technology helps bring their creative vision to life. —Adobe
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LACPUG: Adobe Premiere Pro Goes To The Movies - Billy Fox

LACPUG: Adobe Premiere Pro Goes To The Movies - Billy Fox
We welcomed editor Billy Fox who just edited Joseph Kosinski's ONLY THE BRAVE using Premiere Pro CC. He talked about the pros and cons of using Premiere Pro in a major motion picture and more, including using Adobe's version 1 of their shared storage for the first time. Hosted by Michael Horton. —LACPUG
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Adobe: Interview with Annika König of Nachtblau

Adobe: Interview with Annika König of Nachtblau
Nachtblau is a full-service media, IT, and broadcast company. One of the company’s biggest jobs involves editing daily segments for RTL North, a regional arm of RTL Television, the largest private broadcaster in Germany. The editing application of choice at nachtblau is Adobe Premiere Pro CC. —Adobe
 
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Adobe: Happy Finish on Creative Productions and Storytelling with Premiere Pro

Adobe: Happy Finish on Creative Productions and Storytelling with Premiere Pro
Happy Finish is a global creative production house with its headquarters in London and teams in Shanghai, Mumbai, and Portland, Oregon. At its core, the agency is dedicated to excellence and innovation in visual storytelling. As one of the foremost creative retouching and CGI companies, Happy Finish relies on Adobe Photoshop for retouching and compositing advertisement for major brands, including Nike, Google, and Bulgari. For animation and VFX Happy Finish incorporates Adobe Premiere Pro CC and After Effects CC into its overall workflow. —Adobe
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