All tagged 2018-03

Adobe: Adobe Enables Filmmakers to Tell Their Stories at Sundance

The 2018 Sundance Film Festival represents an incredible breadth of storytelling, told from diverse perspectives across the world, and we’re proud to be there once again as a major partner... This year, 55 percent of filmmakers surveyed said they edited their film projects with Adobe Premiere Pro CC. Adobe’s industry-leading video-editing software helps filmmakers seamlessly create flawless productions as they transform raw footage into compelling stories. —Adobe

tutvid: 7 Premiere Pro Tips & Tricks Every Video Editor Needs to Know

In this Premiere Pro video editing tutorial, we’ll look at some of my favorite things in Premiere Pro. The stuff that makes me work faster and with less stress. I’ll cover how to scrub/shuttle through your timeline faster with hotkeys, the super fast In/Out/Extract edit, the two hotkeys I added to Premiere and can’t live without, Targeting Tracks and why that’s important, reducing lag when playing your video back in Premiere, locking tracks for better ripple deletes, and adjusting audio gain for louder and better managed audio levels. —tutvid

Adobe: Humor and Fear Combine in the Comedy-thriller “Clara’s Ghost”

Clara’s Ghost is not the kind of ghost story you’re likely to hear around a campfire. Written and directed by Bridey Elliott, the 2018 Sundance Film Festival feature is a caricature of Bridey’s own family. It was precisely this combination of comedy and thriller that attracted Editor Patrick Lawrence to the film... Premiere Pro has been his editing tool of choice for years. —Adobe

Adobe: Bringing the Extraordinary Ruth Bader Ginsburg to the Big Screen

Ginsburg’s prolific life and career is the focus of a documentary aptly named RBG, which will make its debut at the 2018 Sundance Film Festival. Co-produced by CNN Films and Storyville Films, the documentary is the brainchild of co-producers and co-directors Betsy West and Julie Cohen, both of whom were in awe of Ginsburg’s track record of fervently opposing discrimination of any kind... It was cut entirely on Adobe Premiere Pro — a first for the directors. —Adobe