All tagged 2016-32

Done with Dylan: Scale vs Set to Frame Size

Award-winning editor and certified Adobe Premiere Pro trainer, Dylan Osborn, launches his Done with Dylan Premiere Pro tutorial series for intermediate editors. In this first tutorial, Dylan demonstrates the difference between Scale to Frame Size and Set to Frame Size in Premiere Pro.

What is the difference between the Scale and Set to Frame Size options in Premiere Pro, and how can you use them? I hear this question frequently in my training sessions. This tutorial covers all your options in under two minutes. —Dylan Osborn

Underdog: Helium 8K Post Workflow in Premiere Pro

Edward Khoma, Co-Founder of Abandon Visuals summarizes the 8K post-production workflow of short film Underdog, edited in Premiere Pro.

"The Underdog" from RED Digital Cinema and presented by Abandon Visuals is the story of an unnamed fighter and his quest to become the champion of an underground fight club. Shot on a WEAPON with HELIUM 8K S35 sensor and Leica Summicron-C lenses, the short film showcases a fighter as he prepares for his shot at glory. —Abandon Visuals

Setup & Customization of the Tangent Ripple in Adobe Premiere Pro

Colin Smith of VideoRevealed shows how to setup up and customize the Tangent Ripple control surface in Premiere Pro CC.

Adobe and Tangent have come together to give users an increadible color workflow environment with the release of the Ripple and Premiere Pro 2013.4. The Ripple can control the Lumetri Color Panel to give you instant, tactile feedback when making color corrections or color grading. —VideoRevealed