Premiumbeat: Create a Simple Submix in Adobe Premiere Pro

Premiumbeat: Create a Simple Submix in Adobe Premiere Pro

Sean Schools
Tutorials, Audio

Submixes are so convenient. They make global audio adjustments to specific tracks easy by grouping them into one mix. In this Premiumbeat tutorial, Jason Boone shows you how simple it is to create a submix track in Premiere Pro. Submixes are also a great way to create audio stems of your dialogue, music, SFX, etc.

Need to apply audio and effect changes to multiple audio tracks — all at the same time? No problem. Follow these steps to create a submix in Adobe Premiere Pro. —Jason Boone, Premiumbeat Blog

Source: https://www.premiumbeat.com/blog/create-submix-in-adobe-premiere-pro/

Justin Odisha: How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro

Justin Odisha: How to create a VHS VCR Camcorder Video Look in Adobe Premiere Pro

Sean Schools
Tutorials, Effects

Reminiscing about the 90's? In this video tutorial, Justin Odisho teaches how to give your footage that timeless VCR look using native effects in Premiere Pro. For example, Justin begins with the Arithmetic effect to create a faux chromatic aberration. It's way cool. Now your footage can look like home videos again!

In this Adobe Premiere Pro CC 2017 tutorial I will show you how to create a vcr / vhs look using video effects, noise, glitches, and color distortions. Apologies for the semi rough voice in this one, getting over a cold! Back to normal soon. —Justin Odisho

Source: https://youtu.be/ilf20yDly2c

Peter McKinnon: Create the Cinematic look FAST in Adobe Premiere Pro

Peter McKinnon: Create the Cinematic look FAST in Adobe Premiere Pro

Sean Schools
Tutorials, Color

We've all seen the "Cinematic Look" or the "Hollywood Look" tutorial before, right? Well, Peter McKinnon shows you how in a way that is thorough, yet simple and easy to follow. Using the Lumetri Color panel in Premiere Pro. Peter walks through his simple process of adding more drama to his shots with a couple easy slider moves.

Learn how to create more cinematic / Hollywood looking footage with some easy tips on colour correction and a little bit of sound design. This tutorial outlines some basics in colour grading within Premiere Pro without having to use third party plug-ins. —Peter McKinnon

Source: https://youtu.be/GYud_W7Ou9E

Justin Odisho: How to Save and Use Custom Transition & Color Effects in Premiere Pro

Justin Odisho: How to Save and Use Custom Transition & Color Effects in Premiere Pro

Sean Schools
Tutorials, Effects

Custom effects and transitions are really cool because they're yours. Safeguard them forever by saving them as presets. Tutorialist extraordinaire, Justin Odisho, shows you how to create effects presets in Premiere Pro so you can quickly apply your favorite custom effects to any project.

In this Adobe Premiere Pro CC 2017 Tutorial, I will show you how to create and use your own custom presets for free. This will allow you to save major time creating color effects and transitions on clips and projects. The possibilities are endless when you combine presets together and use different adjustment layers, sequences, and clips. —Justin Odisho

Source: https://youtu.be/1qXTOaNaYOQ

2017 ACE EDDIE Awards: Deadpool and Hail, Caesar! (Edited in Premiere Pro)

2017 ACE EDDIE Awards: Deadpool and Hail, Caesar! (Edited in Premiere Pro)

Sean Schools
News, Premiere Projects

Congrats to the post-production teams of Deadpool and Hail, Caesar! for being nominated for the Eddie award for Best Edited Feature Film (Comedy). This is a big win for Adobe because both films were edited in Premiere Pro CC. Click the links below to read Adobe's blog posts on these films.

Source: https://americancinemaeditors.org/eddie-awards/eddie-nominees/

Boris FX: Finishing Techniques with BCC + Premiere Pro

Boris FX: Finishing Techniques with BCC + Premiere Pro

Sean Schools
Tutorials, Premiere Products, Effects

Learn some advanced finishing techniques Boris FX Continuum Complete 10 for Adobe in this hour-long Boris FX webinar with visual effects artist and trainer, Ben Brownlee. Even if you don't have BCC 10 for Premiere Pro, this webinar will expose you to new finishing techniques for your video projects. And you may want to consider investing in BCC 10 for Premiere Pro.

Topics Covered: Pump up your effects by animating them to music with Beat Reactor Make your talent look their best with image restoration tools like Beauty Studio & Magic Sharp Easily track effects with the integrated mocha/PixelChooser Create broadcast ready multi-layered titles. —Boris FX

Source: https://borisfx.com/blogs/events/advanced-finishing-techniques-with-bcc-premiere-pro-12-15-16

Adobe: Gareth Edwards on the making of "Monsters"

Adobe: Gareth Edwards on the making of "Monsters"

Sean Schools
Premiere Projects

Before he directed Rogue One: A Star Wars Story and Godzilla, Gareth Edwards made Monsters, a Spielbergian independent thriller. Hear from Gareth himself speak on how the Adobe Photoshop, After Effects and Premiere Pro helped him bring his film to the silver screen. He insightfully points out that, just like watching a movie is a singular experience, the ultimate post-production software should blur the lines between editing and visual effects. Gareth aptly puts it this way, "I'm a big fan of Adobe because it all interlinks".

Gareth Edwards is known for his successes with "Godzilla" and "Rogue One: A Star Wars Movie™", but many people still refer to his breakout independent film, "Monsters". Hear Gareth talk about how working in tools like Premiere Pro and After Effects enabled him to work quickly in multiple locations and deliver his film "Monsters". —Adobe

Source: https://youtu.be/7YXeF5iiUoY

Premiumbeat: 5 Tips to Organize and Customize Premiere Pro

Premiumbeat: 5 Tips to Organize and Customize Premiere Pro

Sean Schools
Tutorials, Workflow

As an editor, there's a lot of satisfaction in customizing your editing program to fit your needs. And when it comes to customization, Premiere Pro is king. In this Premiumbeat blog post, Jason Boone shares 5 tips for customizing Premiere Pro to help you save time, stay organized and edit faster. Tips include things like custom bins, workspaces, track hieght presets and more.

Speed and efficiency make all the difference in your daily video editing workflow. Use these tips, tricks, and techniques to customize your Premiere Pro experience for maximum organization. —Jason Boone, Premiumbeat Blog

Source: https://www.premiumbeat.com/blog/premiere-pro-organize-and-customize-tips

Larry Jordan: The Current State of HDR in Apple FCP X and Adobe Premiere Pro CC

Larry Jordan: The Current State of HDR in Apple FCP X and Adobe Premiere Pro CC

Sean Schools
Tutorials, Color

Not sure where the development of HDR stands? Not sure what HDR is? Legendary trainer, Larry Jordan, shares not only what HDR (High Dynamic Range) is, but also the challenges facing post-production HDR workflows and mainstream HDR consumption. At ~6:05 Larry discusses the current state of HDR support in Premiere Pro CC.

Current support for HDR (High Dynamic Range) media is a series of small steps down a very long path. Current issues include monitoring, color grading, compression and distribution. In this short video, Larry Jordan explains the current state of HDR (High Dynamic Range) media in both Final Cut Pro X and Adobe Premiere Pro CC. He explains where we are now and where we are headed. —Larry Jordan

Source: https://larryjordan.com/articles/the-current-state-of-hdr-in-apple-final-cut-pro-x-and-adobe-premiere-pro-cc-video

VideoRevealed: The Angus Wall Feature in Adobe Premiere Pro

VideoRevealed: The Angus Wall Feature in Adobe Premiere Pro

Sean Schools
Tutorials, Editing

One of the coolest things about Premiere Pro is the many features implemented at the request of feature film editors. In this video, Colin Smith of VideoRevealed talks about a particular feature requested by film editor, Angus Wall (Panic Room, the Social Network). In Premiere Pro, the feature is called "Insert and overwrite sequences as nests or individual clips" and is located in the top right of the Timeline panel, below the timecode. However, many Premiere Pro trainers often refer to this feature as the "nest or not" button. Watch the video to see how it works!

Angus Wall is an Oscar winning director and he helped to shape Premiere Pro into a powerful feature film editing program. This tutorial shows one of the many features that he requested. —VideoRevealed

Source: https://youtu.be/QFXsNV43c18

Larry Jordan: Create Multicam Clips Containing Different Frame Sizes in Adobe Premiere Pro CC)

Larry Jordan: Create Multicam Clips Containing Different Frame Sizes in Adobe Premiere Pro CC)

Sean Schools
Tutorials, Editing

In this "Ask Larry Anything" webinar, Larry Jordan answers how to create a multi-camera sequence in Premiere Pro using clips that are 4K and 1080p. The trick is to create a multi-camera sequence in 4K, and then edit it into a 1080p sequence. Watch the video as Larry guides you through the process of creating the milt-camera sequence, and editing it into the timeline.

Source: https://youtu.be/OEJpFSb-1YY

Editors Retreat: Premiere Bro, Sean Schools, Speaks About His Experience at Editors Retreat 2016

Editors Retreat: Premiere Bro, Sean Schools, Speaks About His Experience at Editors Retreat 2016

Sean Schools
Events

If you've been a good Premiere Pro user, ask Santa for a little extra cash this Christmas to help you get to Nashville, Tennessee for Editors Retreat 2017. January 18th will be here before you know it, so now is the time to plan your trip. Need a little convincing? Watch the video and hear why yours truly highly recommends Editors Retreat! Use code PBRO17 to get $100 off your registration.

Sean Schools (aka Premiere Bro), speaks about his experience at Editors Retreat 2016. A five-day event offering innovative training for experienced TV, film and video editors. This event allows you to learn from and form friendships with established post-production veterans. —Editors Retreat

Source: https://vimeo.com/192175554

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